Space is your instrument.

Living Sky treats spatial positioning and reverb as one cohesive system. Built around ultra-high-resolution spherical captures and multi-position acoustic recordings, it retains reflections from around, above, and below the listener, delivering a level of directional detail, density, and natural diffusion that conventional stereo and multichannel impulse responses cannot match. Beyond point-source panning on top of reverb, Living Sky allows bridging source placement and room response excitation. Across its rendering modes, source positioning and signal dynamics influence how sound energizes the captured acoustic field—allowing the space to respond with the depth and unpredictability of a real room. Blend up to three Spaces per bus and reshape their character to create entirely original acoustics that blend algorithmic flexibility with real-room authenticity, delivering a unified sound field that translates seamlessly from immersive setups to stereo.

Both, in one plug-in. Position your sources in 3D and Living Sky reverberates them in the same 3D sound field, so it works as a spatial mixer, a reverb, or both at once. To use it purely as a spatial mixer, turn off the reverb buses, and the source positioning, source modulation and output decoding remain available. You can also bring the Wet fader down, to have only the direct path in the output. To use it purely as a reverb, bring the Dry fader down, and you will hear only the sound going through the Reverb Buses.

Yes. Living Sky is an outstanding stereo reverb even in stereo-only DAWs. Use it as an insert on a stereo track or on an auxiliary bus fed by sends from your DAW. Space blending, EQ, Size, movement, modulation and Aura stay available.

Aura is Living Sky's proprietary, source-responsive reverb send. It runs in parallel with the main Reverb send and responds to each source's position and energy distribution. Control its level independently, use it on its own or blend it with the main reverb. Drift controls the depth of Aura's modulation; Flux controls its rate.

Higher-order Ambisonics (HOA) microphones have a distinct physical architecture, with microphones positioned in a specific configuration around a sphere. Our proprietary arrays were developed over four years of acoustic research. They use custom microphone configurations, including ultrasonic-capable microphones, to capture additional perspectives and extended frequency detail. The library includes Spaces from these complementary capture approaches, which can be used individually or blended within a Scene.

A Space is an acoustic response from the library, captured from a real location or virtually modelled. A Scene combines up to three Spaces with independent EQ and Size settings. Each of Living Sky's five reverb buses holds one Scene, allowing up to 15 Spaces in a single instance.

Yes. We are continuing our spatial capture work and will expand the library with new Spaces. The collection already includes captures from Montreal and Mexico City.

We have tested Living Sky's multichannel spatial routing in Pro Tools (Studio and Ultimate), Nuendo, Cubase Pro, Reaper and Logic Pro (up to 7.1.4). Available input channels and output formats depend on the DAW limitations and session routing. Living Sky also runs in stereo in supported DAWs, including Ableton Live. We are testing additional DAWs for multichannel support. Living Sky comes in VST3, AAX and AU formats, so it can be loaded in DAWs that support them. DAW support and channel limits.